150 Anniversary of Beatrix Potter (1866-1943)

By Charles G.Y. King (1854-1937)
[Public domain], via Wikimedia Commons

While the literary world marks the 150th anniversary of the birth of children's author and illustrator, Beatrix Potter (see article below from Writing & Literary website) some lesser known aspects of Potter's life and work concern her contribution to the field of natural science, including mycology and the study of fungi. Indeed, it has been stated that Potter was interest extended to every branch of natural science save astronomy.

She wrote up her findings and submitted a paper entitled, On the Germination of the Spores of the Agaricineae, to the Linnean Society in 1897. It was met with scant regard however, mainly on account of her gender - the paper had to be presented on her behalf because, as a female, she was not allowed to attend proceedings of the society.

Of Potter's literary classics, her interest in natural science is evident throughout and is possibly crucial towards understanding their longevity and appeal:

Lear writes that Potter "had in fact created a new form of animal fable in: one in which anthropomorphic animals behave as real animals with true animal instincts", and a form of fable with anatomically correct illustrations drawn by a scientifically minded artist. She further states Peter Rabbit's nature is familiar to rabbit enthusiasts "and endorsed by those who are not ... because her portrayal speaks to some universal understanding of rabbity behaviour." She describes the tale as a "perfect marriage of word and image" and "a triumph of fantasy and fact". - Wikipedia, The Tale of Peter Rabbit

reproduced from

Writing & Literary: Beatrix Potter (1866-1943):

'via Blog this'

The world of children's literature is marking the 150th anniversary of the birth of one of its most famous and enduring figures. Beatrix Potter, the English writer, illustrator, natural scientist, and conservationist was born on this day in 1866. Her children's tales are more popular than ever - few who are reading this will not have at least some distant childhood memory of characters such as Peter Rabbit, Jemima Puddle-Duck, the Tailor of Gloucester, Benjamin Bunny, Squirrel Nutkin, Jeremy Fisher, to name but a few.

Her entire literary canon consists of over 30 books, including the 24 tales that continue to captivate and delight succeeding generations of young children. And it doesn't end there. In 2015, an almost completed, unpublished manuscript was discovered among her archives. The Tale of Kitty-in-Boots is due to be published later this year, in September, by Frederick Warne & Co, the publisher of the original series of Potter's children's tales though these days, it operates as an imprint of Penguin Books.

Potter's work is most clearly influenced by an abiding passion for natural history, which was nurtured from an early age and stayed with her throughout her life. When she eventually gave up writing, it was to devote herself to farming and country living. She is credited with preserving much of the land that now constitutes the Lake District National Park in North West England. Upon her death, in 1943, she left most of her property to the National Trust.

Although she herself died childless, her writing style lends itself well to young audiences. Her deep and abiding interest in the natural sciences is conveyed in a manner that is lively, inventive and refuses to be dull, packed as it is with a sense of earthy realism.

Her success, both critical and commercial, is a reflection of her distinct talent as a writer and illustrator. It was also a product of a certain business sense that she applied to all of her ventures. She had a hands-on approach, both to her writing and publishing activities. Potter was one of the first authors to recognise and capitalise on the merchandising possibilities of her books, patenting and licensing a range of toys, dolls, board games, colouring books based on the characters that she created.

The first editions of The Tale of Peter Rabbit were self-published by Potter, until she found a publisher who not only saw the potential, but also shared her vision for 'the bunny book' as it was called. This finally happened in October 1902, following numerous rejections, both from publishers but also from Potter herself, who was initially hesitant about adding colour illustrations to the story.

It proved to be the right decision. Colour illustration was becoming both popular and affordable and the book was an overnight success. Today, it has been translated into 36 languages and is estimated to have sold over 45 million copies worldwide.